Annex A (informative) Release notes
Version 4.3.1 corrects and enhances the following features:
Removal of the
AdditionalTitle
composite (its functionality is better served via the MEAD standard). For communicating classical titles, two new composites,FormalTitle
andGroupingTitle
have been added;
Communication of brands such as film franchises linked to a resource or release;
Communication of the fact that a recording was made (fully or in part) by a generative AI tool;
Communication of the fact that a contribution was made, fully or in part, by a generative AI tool;
Communication of “traditional” and “various artists” instead of one or more named display artists or contributors;
Changed the name of the tag
Genre
toDisplayGenre
to better indicate its usage. Other genre information can be communicated using MEAD).
Version 4.3 adds support for:
The communication of information about immersive and non-immersive editions of the same recordings in the same
NewReleaseMessage
through the introduction of a mandatorySoundRecordingEdition
composite into the existingSoundRecording
composite;Communication of standalone clips in either a
ClipDetails
composite or in a separateSoundRecording
orVideo
composite as well as using the newClipRelease
composite;Enhanced communication of information about classical titles and contributors by adding an attribute,
ApplyClassicalProfileVariant
, to signal that the data for a specific sound recording conforms to the classical profile variant;Enhanced communication of information about instrumental and non-instrumental music by augmenting
IsInstrumental
by two additional tags,HasVocalPerformance
andHasForegroundVocalPerformance
;Enhanced means to classify a sound recording or video by splitting the old
Type
element into two tags:A mandatory
Type
plus;An optional
RecordingFormat
.
The former is important for the handling of profiles whereas the latter can provide additional information about the resource being described;
Enhanced ability to link resources by extending the
RelatedResource
composite to allow for the signalling of the fact that different segments of a recording are linked to another recording;Enhanced communication about rights claim policies by enabling such policies to be limited to specific segments within a sound recording or video; and
Various new allowed values (such as
CodecTypes
to support immersive audio).
As a consequence of some of the above changes, Version 4.3 is not fully backwards compatible to the previous versions.
Version 4.2 added support for:
Session information;
Genre categories (i.e. genre allowed value sets in addition to free-form genre strings);
Communication of dialects (such as American English or Swiss-German) where Version 4.1 only allowed the signalling of a language;
The ability to communicate the names of record company personnel that the record company or distributor requests be granted access to the DSP’s systems to administer a release;
Enhancements to the handling of different encodings of one recording and the communication of relationships between releases and resources;
The addition of a mandatory
AvsVersionId
XML attribute. TheAvsVersionId
at publication is 3. DDEX may update the list of allowed value sets over time and this may therefore require theAvsVersionId
number to be increased. When this happens, the new currentAvsVersionId
will be publicised on the DDEX Knowledge Base. Any such updated version of the allowed value sets which is issued on a date after the publication date of this part of the ERN standard forms part of this part of the ERN standard.
Version 4.1.1 corrected a number of small errors in the XSD:
Ensuring that Synopsis and Keywords are available on Release and
TrackRelease
;Adding a flag to indicate whether a contributor is a credited artist;
Aligning the
ResourceRightsController
andWorkRightsController
composites;Enabling the communication of label hierarchies;
Adding the ability to differentiate “covers” from “originals”; and
Adding rules for the communication of preview dates.
Version 4.1 was developed in response to implementation testing of version 4 of this part of the ERN standard. It further streamlined the communication of releases from record companies or distributors to DSPs. The major changes included:
Simplified process for communicating the reduction of rights and takedowns (Note: this approach has also been adapted for ERN-3);
Support for accompanying a
NewReleaseMessage
with an additional XML file containing information in addition to what has, traditionally, been sent from a record company or distributor’s supply chain to support, for instance, voice activated music services;Ability for a record company or distributor to signal to a DSP how it wishes artist information to be displayed as part of a title;
Addition of the ability to communicate display credits;
Addition of the ability to provide track sequences using letters; and
A series of smaller changes to closer align the
NewReleaseMessage
with messages defined in other DDEX standards, particularly the Recording Information Notification standard and, what at the time was called the Music Licensing Companies’ standard, now Recording Data and Rights standards.
Version 4 of the Electronic Release Notification Message Suite offered a significantly simpler way to communicate information about releases and deals compared with ERN version 3.